The Harlem Renaissance was the rebirth of an artistic and intellectual development within the black community during the 1920’s. A neighborhood in New York, known as Harlem formed Speakeasy’s where music and dance flourished and began to break race barriers. Though the Speakeasy’s in Harlem had begun to bring people together, segregation and racism was still prominent. Many Black artists were unable to perform or get work published because of the discrimination shown towards them. In the movie Brother to Brother we follow the life of a New York college student named Perry. During the movie he crosses paths with a Harlem Renaissance poet, Bruce Nugent, who accompanies Perry on his journey of self-discovery and struggle.
In the very beginning of the movie the issue of struggle is brought up in Perry’s class. The students are talking about Black Political struggle and Perry mentions Black gay men. A few of the student’s get mad and claim it has nothing to do with Black struggle, but Perry argues otherwise. This first scene is an example of the conflict between the struggle for equal rights as black men, and equal rights for gay men. The kids in Perry’s class saw those struggles as two separate things that had nothing to do with each other. Perry argued that they both dealt with the struggles of equality and therefore should be taken just as seriously. Blacks wanted to be given equal rights, and so did Gay men; they were fighting for the same thing.
Another scene in the movie that dealt with struggle was when James Baldwin and Elbridge Cleaver were arguing. The real life footage gave an authenticity and passion towards the issue and approached it differently than what we had seen before. Cleaver argued that equal rights for Blacks needed to happen before they even begin to think about Gays. He thought the black struggle was entirely different and more important. When he talked about Gay sex he referred to it as “lower than scum”. Baldwin retorted that equal rights for Gays, wasn’t any different than equal rights for African Americans. Equal rights are equal, regardless of the ethnicity of sexual orientation.
Later in the movie Nugent is describing an event in his life that happened during the 1920’s. Him and three other poets; Langston Hughes, Wallace Thurman, and Zora Neal Hurtson, were writing a Zine for the public. In their Zine they focused on the other issues regarding Blacks, such as prostitution and “queers”. After reading a review on their Zine they are all baffled by the complete hatred shown towards them. The poets had thought they were writing about the struggles that no one talks about, but instead it seemed like the black community wanted to keep it that way. The Black community wanted the focus to be on equal rights for African Americans. Bringing up so-called “imperfections” in their community might have felt like a threat to them. Blacks were fighting to be seen an equals in our society and talking about Gays and prostitutes might have felt like they were being disgraced or causing them to look bad. In order to make a “proper” image they had to hide the “flaws” of their community.
The struggle for equal rights can be anyone’s struggle; the point is to be treated just as fairly as everyone else. In Brother to Brother no one saw the two struggles as similar except for Perry and Nugent. They also happened to be the only two people going through both of those struggles. Unless you are the victim of an unfair law, right, or prejudice, it’s hard to understand the problem. The Black community was fighting for equal rights. They couldn’t afford to fight for gay rights also. Why push the boundaries when they are so close to crossing them? Brother to Brother illustrated the fearless fight of a young student and an elderly poet who both fought to be understood as black men, as well as gay men. It didn’t matter whether they were straight black men, or gay white men; they just wanted to be treated equally. The struggle for equal rights shouldn’t be separated based any type of criteria. It’s a simple request to be treated as everyone else. No one should have to be convinced.